It was possibly overkill, but the very fact that it was released at all pays testament to the initial release's longstanding cultural significance.

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The best live albums are defining moments in any band’s career, when the music, the performance, and the atmosphere generated between band and audience are captured on tape

"I've always idolised 'The Man In Black'," masked alt.country star Orville Peck told us. "This was the first Johnny Cash album I had ever listened to when I was a kid. But it wouldn't be until I was much older that I would fully appreciate the groundbreaking elements of this incredible live album."

By the end of the 1970s, Queen had become a true-blood mainstream band – the sort who regularly enjoyed a huge chart impact. So it wouldn’t have been a surprise to anyone if their live shows were starting to suffer. But they didn’t.

 (the last was actually taken from a 1976 show with Bill Bruford in the drumstool) – and more focused favourites from the dawning of ‘the Phil era’, with 

Veja concertos ao vivo pelo melhor lugar do sua própria entertainment coisa com este Apple Music Live. Aceda a grandes entrevistas e conheça as histórias por detrás da música e dos artistas que adora.

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Why it’s so good: It may not be that critically-acclaimed, and it may leave out a load of key tracks, but as the only live document of one of the best live acts of the last decade, it rips most other efforts a new one.

 marked the second to last performance from singer Layne Staley, who was battling the crippling addiction to heroin he'd poignantly chronicled through the band's agonising lyrics.

It does what all truly great live albums do: delivers even better performances of stone-cold studio classics. Best of all, it conveys the sense – palpable at the shows – of what those guys were really like to be in the same room with.

Why it’s so great: It’s got the fantastically outrageous Freddie Mercury. It also dispelled rumours of the band breaking up, as he said: “So forget those rumours, we’re gonna stay together until we fucking well die, I’m sure of it.”

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come August—just in time for their trip to Hamburg with new drummer, Pete Best. Though club residencies in Germany would prove fundamental to the group’s progress as a whole, the tour turned out to be a blessing and a curse, following the deportation of a then-seventeen-year-old George Harrison, and the eventual tragic death of Stuart Sutcliffe.